BLACK IS BEAUTIFUL: FROM CARLOS COOKS TO COVID 19

BHC, and its cultural and arts advocacy arm, the Rio Galleries, partnered with The Plywood Project to create two large-scale protest art installations covering the massive glass walls of Sugar Hill Children’s Museum of Art & Storytelling (SHCMAS), on the corner of 155th Street and St. Nicholas Avenue.

Nine New York City based artists were commissioned by BHC to create the mixed-media murals: Diógenes Abreu, Virginia Ayress, Milagros Batista, Sikolo Brathwaite, Ella Perez Gabriel, Luis Leon, Zahied Tony Mohammed, Moses Ros-Suarez and Black Rose. The installations are mounted behind the glass walls on both ground-floor sides of the museum, each illustrating its own social justice narrative arc:

The 40ʼ by 8ʼ installation facing 155th Street commemorates the legacy of Carlos Cooks, the legendary disciple of Marcus Garvey and 60ʼs era proponent of Black economic independence, through to the current climate of protests against police brutality animated by the Black Lives Matter movement.

The 30ʼ by 8ʼ installation facing the museum plaza covers the period of hope for racial justice ushered in with the Obama Presidency, through to todays pandemic health crisis which has hit communities of color with particular ferocity. BHCʼs Director of Community Engagement, and Founder of the Rio Galleries, Ana-Ofelia Rodriguez, explains the creative intention behind the installations: “Both walls will reflect the reality of life among communities of color, which is a mixture of hope and hardship. Our struggle for freedom from police brutality, equal access to housing, healthcare and economic independence is animated by our belief that, together, we can overcome oppression and injustice. We will make tomorrow better than today.”

Video by Rafaelina Tineo

Plywood Project Co-Founder Eve Moros Ortega says “The Plywood Project is deeply honored to partner with Broadway Housing Communities, the Rio Galleries and Sugar Hill Children’s Museum of Art & Storytelling. This partnership reflects the projects belief that art can reveal essential truths with unique impact to inspire and galvanize. This beautiful and moving installation speaks to the history underlying the disproportionate impact of today’s crises on communities of color, while educating the public of the equally long history of resistance, struggle, and change.” Manon Slome, Co-Founder of No Longer Empty, the New York City nonprofit arts organization, says “I am thrilled that the Plywood Project has
found a new location, with Broadway Housing Communities’ Rio Galleries exhibiting at the Sugar Hill Children's Museum of Art & Storytelling. The partnership, generously supported by the Malka Fund, highlights the support for artists of color, mentorship for youth, and the power of art to give a voice to the most vulnerable that is in the very DNA of the BHC and this project.”

The Plywood Project reimagines our current crises as an opportunity for innovative public-private collaborations between artists, businesses, cultural organizations, and government, placing art and creativity at the center of community dialogue – commissioning new artworks, and working with existing street artists to preserve work that commemorates the historic movement underway. The Plywood Project seeks to both document and preserve today’s burgeoning street art, as well as commission new work – whether on literal plywood or other surfaces. In doing so, the Plywood Project brings support to the communities most deeply impacted by today’s calamities, provides youth opportunities for creative mentorships, and offers the public art that can be safely experienced outdoors.